As a fountain pen user, I’m always on the lookout for good quality paper. Most of today’s mass-market paper is made for laser printers or ballpoint pens, the needs of the fountain pen user having been long forgotten. As a result, many notebooks, pads, and loose leaf papers are horrible for writing on with a fountain pen. These papers often have a rough texture, and produce excessive feathering, echo (show-through), and bleed-through:
Hero 616 with Waterman Blue-Black ink on bad and good paper. Very bad feathering is apparent on the bad paper (click to enlarge). |
The view from the back side of the same two samples. Almost all of the ink has bled through to the back of the bad paper. |
Fortunately, good paper is available, and it isn’t always expensive (nor is expensive paper always good). In this article, I look at five different papers, and try each one with seven different pen-and-ink combinations. The following papers were tested:
- Moleskine Quad Ruled Pocket Notebook
- Clairefontaine Quad Ruled A4 Notebook
- Rhodia Dot Ruled A5 Pad
- Staples Sustainable Earth College Ruled 9½×6 Notebook
- Kodak Bright White Inkjet Paper
Note that this article is only testing the paper. It is not a review of the notebook or pad from whence it came.
Each paper was tested with these pens from my collection:
- 1942 Parker Duofold Jr. with a Fine 14K gold nib, using my own ink mixture.†
- 1990 Pelikan M200 with a Medium stainless steel nib, using the same ink mixture.
- 1990s Sheaffer No Nonsense with a Fine stainless steel nib, using a 1:1 mix of blue and green Sheaffer Skrip ink.
- 1984 Sheaffer No Nonsense with a Medium stainless steel nib, using brown Sheaffer Skrip ink.
- 1970s Sheaffer 330 Imperial with a Fine stainless steel nib, using a 1:1 mix of green and purple Sheaffer Skrip ink.
- 1989 Pelikan Pelikano with a Fine stainless steel nib, using a 2:1:1 mix of Waterman Florida Blue, and blue and purple Sheaffer Skrip ink.
- 1989 Pelikan Pelikano with a Fine stainless steel nib, using a 4:1 mix of red and black Sheaffer Skrip ink.
†My ink recipe consists of 75% Waterman Blue-Black, 9.6% Sheaffer Skrip Blue, 5.8% Sheaffer Skrip Black, 5.8% Pelikan Royal Blue, and 3.8% Sheaffer Skrip Brown.
Moleskine
First up is the well-known, well-hyped Moleskine (pronounced Moll-Eh-Skin-Eh), the descendant of the notebook supposedly used by the likes of Ernest Hemingway. I tested the quad-ruled pocket notebook.
The Moleskine paper is a pleasant off-white colour, with grey ruling on a 5mm grid. It weighs about 75g/m² (20lb basis weight).
Moleskine Quad – Front |
Moleskine Quad – Back |
Mr. Hemingway must have used a ballpoint pen or pencil, because this paper exhibits significant feathering with all the pen/ink combinations, show-through with all of them, and bleed-through with all but the Pelikan pens. The feel of the paper is good, with enough texture to provide some feedback while writing, but not enough to make it feel rough.
Clairefontaine
Clairefontaine’s paper is probably the most often recommended when fountain pen friendly paper is asked for. I have a number of spiral-bound Clairefontaine notebooks in A4 and A5 sizes, and these are what I currently use for paper notes at work.
The paper is a very bright white color, with bluish-purple ruling, and weighs 90g/m² (24lb basis weight). The sample I tested is from my A4 notebook.
Clairefontaine Quad – Front |
Clairefontaine Quad – Back |
This paper exhibits virtually no feathering at all, extremely faint show-through, and no bleed-through. It is a very smooth paper, even with somewhat scratchy nibs. If a nib is exceptionally smooth, it almost moves over this paper too easily, with not enough resistance to provide feedback.
Rhodia
Rhodia paper is made by Clairefontaine, because the Rhodia company is owned by Clairefontaine. The paper is every bit as good as the Clairefontaine brand, but it is not exactly the same. It feels very slightly less smooth to the touch, although I’ve found that it actually feels smoother to write on.
It is also slightly thinner, at 80g/m² (about 20lb basis weight). The colour is again a very bright white, but a bit warmer looking than the Clairefontaine brand. The sample I tested is from a Rhodia “DotPad”, which is “ruled” with light bluish-purple dots on a 5mm square grid.
Rhodia DotPad – Front |
Rhodia DotPad – Back |
Despite being thinner than Clairefontaine brand paper, the Rhodia paper does not exhibit any more show-through. There is also no feathering, and no bleed-through.
Staples Sugarcane
Staples’ Sustainable Earth paper is made from 80% sugarcane waste fibre. Whether this is more eco-friendly than making it from trees or recycled paper is debatable, but it is very nice paper, at a relatively low cost.
This white paper is very thin, weighing in at only 50g/m² (12lb basis weight). It is available loose-leaf, in pads, and in notebooks, with wide or college ruling in a brown kraft-paper colour. Sizes are 6×9½” and 8½×11″.
Staples Sugarcane – Front |
Staples Sugarcane – Back |
Despite its low cost, this paper has quite a smooth finish. It exhibits no feathering with any of the pen/ink combinations tested, although all produced a slightly bolder line than on the Clairefontaine and Rhodia papers.
As expected with such thin paper, there is significant show-through. Surprisingly there is no bleed-through. Although the show-through is clearly visible, it is still far fainter than the ruled lines, and is not objectionable when using both sides of the paper.
Kodak Inkjet
Inkjet papers are meant for use with liquid ink (although inkjet ink and fountain pen ink are very different). Thus, they are designed to resist feathering and bleed-through. This was especially important with very early inkjet printers such as HP’s ThinkJet, which could not print well at all on ordinary paper.
Because of these characteristics, together with the ease of printing one’s own custom ruling, inkjet paper makes a good general purpose fountain pen paper. The paper tested here is Kodak’s Bright White inkjet paper, weighing 90g/m² (24lb basis weight). I printed a very fine ruling on the paper for this test.
Kodak Inkjet – Front |
Kodak Inkjet – Back |
The performance of this paper is excellent, exhibiting minimal feathering, minimal show through (about the same as Clairefontaine and Rhodia), and no bleed-through. The texture is similar to that of the Rhodia, although it does not feel as smooth when writing.
Conclusions
If you want paper for extremely clear, crisp writing in a notebook or pad, Clairefontaine and Rhodia are the top choices. Both are available in both lined and quad ruled, and Rhodia is also available in the dotted form. Notebooks and pads are available in a variety of sizes (from pocket size to A4) and bindings (stapled, spiral, and cloth).
For an inexpensive notebook for school use, or if a bit of show-through won’t bother you, the Staples Sugarcane books are hard to beat for the price. The thin paper has the added advantage of packing more pages into the same size (and weight) of book. Unfortunately, the selection of sizes and rulings is somewhat limited.
If you’re a do-it-yourselfer, you can make very nice stationery using an inkjet printer and good inkjet paper (like the Kodak paper tested). You can even take those custom-ruled pages to Kinkos and have them spiral bound to make your own notebooks.
What about the Moleskine books? Well, frankly, they’re not worth the paper they’re printed on if you’re a fountain pen user. If you always use the same pen and ink combination, and it’s one that works with the Moleskine (like my Pelikan M200 with my mostly-Waterman ink), they can be usable, but I’d suggest testing first with a page from a generous friend’s Moleskine. I must admit though, that there’s something nice about the Moleskine books.